… And sometimes, it happens this way.
Giant Walker has finally landed on our radar through Score A/V, and yes—this discovery comes far too late. We completely missed 2022’s acclaimed All in Good Time, but their sophomore release ‘Silhouettes’ (out via Church Road Records) makes one thing clear: this band has carved out a sound that is unmistakably their own—a potent fusion of ‘90s alt-metal grit, modern progressive rock intricacy, and emotionally grungy charged songwriting.
At the heart of this evolution is frontwoman Steff Fish, whose dynamic vocal range—shifting from hushed vulnerability to soaring intensity—anchors the album’s emotional weight. Guitarist Jamie Southern weaves intricate, riff-heavy arrangements that draw from grunge and alt-metal roots, while bassist Jordan Gregory and drummer Alex Black lock in with relentless precision. The result is an immersive, muscular sound that balances complexity with accessibility and heaviness with melody.
From the groove-laden opener “Time to Waste” and the anthemic thrust of “Make Me” to the haunting, shape-shifting title track, ‘Silhouettes’ flows with both purpose and polish. Songs like “Halcion” and “Eraser, Obscurer” explore darker, heavier territory, while “So You Say” and “What It’s Worth” highlight the band’s command of space, texture, and melodic nuance.
This isn’t just a follow-up—it’s a bold artistic leap. Progressive alt-metal, melodic heaviness, dynamic vocals, emotional depth: Giant Walker have evolved into a band that stands shoulder to shoulder with the likes of Black Peaks, Deftones, Karnivool, Tesseract, and Soundgarden. With ‘Silhouettes’, they sound more confident, more cohesive, and more compelling than ever.
UK Alt-Prog Metal‘s next big thing ? Sure it is.
